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DOMESTIC BODIES

DAS HEIMLICHE

Inspired and created during the onset of covid, the work explores the notion of living in an uncertain reality, in which the amorphous lines between ourselves and our (then) limited environment start to merge. These spaces have moved beyond their initial function of safety and comfort into something eerie and uncanny. My paintings seek to explore this environment- the domestic space in relation to the body and the mind, while tackling themes ranging from the loss of the sense of self, feminism, politics and religion. This is expressed through the distortion, fragmentation and incompleteness of the body- body of anonymous and often faceless characters that inhabit my work. These figures are only understood in relation to their immediate surroundings, as an extension of their shared consciousness. The aim of these images is to instigate a sense of quiet introspection, as we continue to repel and embrace our surroundings and ourselves.

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Figure I

 

Domestic Collection

 

2021

 

Oil on Recycled Paper Bag

44.5cm x 37cm

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Figure II

 

Domestic Collection

 

2021

 

Oil on Recycled Paper Bag

 

44.5cm x 37cm 

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Lamp Head I

Domestic Collection

 

2021

 

Oil on Recycled Paper Bag

35.5cm x 28cm

lamp II

Lamp Head (resketched)

 

Domestic Collection

 

2024

 

Oil on Recycled Paper Bag

35.5cm x 28cm

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Lamp Head II

 

Domestic Collection

 

2021

 

Oil on Recycled Paper Bag 

 

35.5cm x 28cm 

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Bed Hair

Domestic Collection

 

2021

 

Relief Print

30cm x 25cm

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Straighten Yourself Out  

Domestic Collection

 

2021

 

Relief Print 

 

30cm x 25cm 

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Drink Me

Domestic Collection

 

2021

 

Relief Print

30cm x 25cm

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Mother 

 

Domestic Collection

 

2021

 

Relief Print 

 

30cm x 25cm 

This black and white print belonging to the Domestic Collection is based on old Victorian family portraiture photography, in which mothers would hide by merging with the environment, normally behind curtain and carpets- in order to take pictures with their children, keeping them still and also making them feel safe. In doing so they inevitably became part of the photograph, both as an eerie subject and the backdrop. Mothers became ghost like figures, mirroring their repression in society, that continues up till this very day, despite their huge role in family dynamics, the raising of children and their invaluable addition to society.

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Forniphilia?

Domestic Collection

 

2021

 

Relief Print

30cm x 25cm

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Embryo Tank, Fish Fit Too 

Domestic Collection

 

2021

 

Relief Print 

 

30cm x 25cm 

This series of works is made up of 6 simple colourful relief prints, each one speaking to its own issue and criticising an aspect of the domestic, whether this be the repression of female sexuality, the disregard of the mother as more than a tool of domestic existence and once again the loss of the self to the environment.

In each print the conflictive interaction between space and the female body is shown in the way the surroundings envelop, fuse or challenge the figures till some of them become almost unrecognisable- yet in doing so they speak for one another, through a form of shared consciousness.

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Three Lamps and One Window

Domestic Collection

 

2021

 

Oil On Canvas

121cm x 69.5cm

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The main characters of this work are the lamp heads that have evolved into representative symbols of this line of work, in which I seek to question the repression and objectification of the female body in the domestic space, through the loss of their humanity in exchange for perspective, and merging with the environments. An environment that they have become a part of yet due to their hybrid nature do not fully fit in.

In this work, the three supposed female bodies each sit in a different position of “comfort” or staged posing, once again highlighting the duality around the role of the female body in the domestic scene and the idea of performance. This is only enhanced in the design of the domestic space; the floors resemble that of a chess board expressing the idea of game/manipulation and paying homage to Lewis’ Carroll's 'Alice in Wonderland: Through the Looking Glass'. The room is bare except for a discoloured white sofa at the back. While the window, in its attempt to be inconspicuous and almost hidden despite its bright red shutters, stands out as an outsider. It is the only visible connection to the exterior yet it is incomplete- a ghost of what it formerly stood for with a crack revealing the daunting possibilities of the exterior.

My initial sketches were greatly inspired by Matisse's ‘The Piano Lesson’ and further on by Beatriz Colomina’s essay ‘Split Wall: Domestic Voyeurism, in Sexuality & Space’. 

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Reading Corner

Domestic Collection

2024

Oil On Canvas​

40cm x 40cm

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Figure 3

Domestic Collection

2024

Oil On Canvas​

60cm x 40cm

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