'Milk' is the main performance video in this collection as well as the only work in which I show a figure’s face, and the only male subject I have had thus far. In this short performance the lamp shades only "come alive" and move comfortably around the domestic space when the man exits. The motif of the milk was inspired by a scene in the 1971 film ‘A Clockwork Orange’ in which the main character Alex and his crew are seen drinking milk surrounded by mannequins placed in sexual or provocative position around them. This duality between our typical associations of milk with innocence and motherhood clash with the picture of these men, who go on to commit some of the most disturbing and unforgivable transgression against women through the entirety of the film. The saturation of colours such as red, blue green and yellow enhances the whiteness of the milk and the man’s clothes. The lamp figure on the right wearing all red portrays another aspect of the female experience, juxtaposing the idea of menstruation (womanhood, loss of innocence) with the purity and cleanliness of the white milk. In addition the movements and gestures in this performance are calculated to mirror that of Bauhaus Performance Art in their geometrical actions and symmetry, while also giving the performers a chance to act according to their own instincts when they sit on the sofa. The aim of this video is to enhance the objectification of women in men dominated spaces. One cannot see the lamp shade before the man leaves, raising the question of an unreliable narrator and the ongoing presence of the male gaze perspective, making us ask where these figures originally women? Are they objectifying themselves in order to hide, and stay safe within this space?